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topographies human landscape dance and spacetime dance present topographies: dances for land, air, and water on saturday november 17, 2018, at 8pm and sunday november 18 at 7pm in the dance loft , 4618 14th st nw, washington dc . katie sopoci drake and malcolm shute have interleaved contemporary dances inspired by nature into an evening-length performance. for her company spacetime dance , with guest lucidbeings dance , drake has developed a series of vignettes juxtaposing civilization and nature. shute’s work for human landscape dance is set on the ground, underground, and in the air. the evening culminates in a duet set on both drake and shute. in “ awakening ,” drake's sensual movement and sweeping gestures awaken our senses to unexpected environments and reveal our innate connection to the natural world. “petrichor” insinuates the deep forest into our nighttime lodgings; “crossing” whips us from bustling city to raging sea; and “pinnacle” carefully perches us between cathedral spires and mountain passes. in shute’s “ tsuru no ongaeshi (crane) ,” a japanese myth about a transformation from bird to human, olivia serrill and alexander short transform from separate to integrated, arms blending into arms while tracing arcs along the sky. “ moss ” depicts grass being consumed by moss in a japanese garden, a passionate struggle played out in minute scale, limbs wrapping limbs as bodies press along the ground. drake and shute dance together in “ eurydice ,” depicting the subterranean flight of orpheus and eurydice from hades. the pair twists through intimate embraces while keeping their eyes carefully averted, knowing that she will leave if they look each other in the face. topographies unites the similar visions of drake and shute, two choreographers exploring relationships with nature through metaphor. in each case, their work reveals an underlying anxiety, people unable to settle harmoniously in their world. instead, they squeeze too tight, tie themselves in knots, or look back with regret. to reflect this vision, their dances are layered together, sometimes overlapping, to create an evening-length collage. photos 1 2 3 4 5 6 7 8 9 … next › last » go to photo gallery hld repertory crane eurydice for john and merce moss shades rumplestiltskin coppelia swans cinderella medusa persephone and demeter aurora's dream penelope and odysseus icarus and daedalus january night closet dances coming unstuck leaving home company biographies videos about contact information press room performance list mac's links donations photo gallery user login log in using openid: what is openid? username: * password: * log in using openid cancel openid login request new password mac's blog giselle: reflections the primary tension in giselle is the question of acceptance: will albrecht accept giselle? will she accept him? ... unpacking aurora's dream in the process of restaging “ aurora’s dream ,” about a year after our last performance... videoshoot reflections: medusa the night before the shoot, denaise seals asked me some probing questions... go to blog amanda's blog the month of returning it’s september and washington is revving up again after the summer doldrums. the month has a... thoughts on so you think you can dance two nights ago i finally watched so you think you can dance for the first time. it was kind of... dancing in an airy space it's been over three weeks since we returned from london and i've continued to have great... go to blog alex's blog cooperating to create the illusion of conflict or communication as a method of injury prevention [this is a blog entry that the organizational health (oh) committee at my company asked me to... what is success in dance? some time back i collaborated with a friend on a series of duets. we were performing one of them... a day of great misfortune saturday, june 20. the day of the show. the day of great misfortune. i’m up... go to blog human landscape dance, 713 14th st se, washington dc 20003 email the artistic director

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